Author: Richard Willett

Richard Willett is the author of the plays Triptych, Random Harvest, The Flid Show, and Tiny Bubbles, presented off-off-Broadway and across the country. Honors include an Edward Albee Foundation Fellowship and a Tennessee Williams Scholarship. His play 9/10 premiered off-off-Broadway in September 2024 and won four Broadway World Awards including Best Play; Grief at High Tide (first prize, Capital Rep Next Act! New Play Summit) premiered at Vivid Stage in Summit, NJ, in October 2024; and A Terminal Event (Julie Harris Award winner and Woodward/Newman finalist) premiered in 2022 at the Victory Theatre in Burbank, with Stage Raw naming it one of the best L.A. plays that year. Richard is developing a one-woman show about Ingrid Bergman with actress Annemette Andersen and director Henning Hegland, premiering in 2025 in Iceland. He was a finalist last year for the Dramatists Guild National Fellows Program and as an optioned, working screenwriter has twice been in the Academy of Motion Picture Arts and Sciences’ Nicholl Top 50 and a finalist for the Sundance Labs. He was also a finalist for the Cynosure Diversity Screenwriting Awards, the Stage 32 Diverse Voices Springboard, and won the Lonely Seal Film Festival award for the best script with a disabled lead. His novel A Friend of Dorothy’s, set during the height of the AIDS crisis in New York City in the late 1980s, was in June 2025.
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Anthony Perkins

I did not know this. Anthony Perkins left this statement to be read after his death: “I chose not to go public about [having AIDS] because, to misquote Casablanca, ‘I’m not much good at being noble,’ but it doesn’t take much to see that the problems of one old actor don’t amount to a hill […]

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THE MARRIAGE OF BETTE AND BOO

Has it really been almost 40 years since I saw (three times!) at the Public Theater THE MARRIAGE OF BETTE AND BOO written by and featuring Christopher Durang, who died yesterday. Life-changing play for me. What can you say about a play that introduces you to Joan Allen, Mercedes Ruehl, and Olympia Dukakis in one […]

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Best Table Topics Speaker

Look! I won Best Table Topics Speaker at our last meeting of West Hollywood Toastmasters. I was asked to speak spontaneously about a song that had impacted me. I chose Tracy Chapman’s “Talkin’ ’bout a Revolution” and recalled being part of a standing-room-only crowd to hear her sing it at Carnegie Hall the year her […]

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screenplay adaptation of my play THE FLID SHOW

More food for thought on this subject from, among others, my friend and colleague Mat Fraser (center photo). To show how things have changed: When I pitch the screenplay adaptation of my play THE FLID SHOW to producers now, there is never any objection to my desire to have Mat play the lead. When I […]

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backlash over BARBIE’s lack of Oscar nominations

Something seems to be being overlooked in the predictable backlash over BARBIE’s lack of Oscar nominations: Some people just didn’t think it was that great a movie (me included). And the Academy did nominate Gerwig for writing the film and Robbie for producing it, as well as a female actor, America Ferrera, in something of […]

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Herman Raucher

Herman Raucher has died at 95. He wrote SUMMER OF ’42, based on his own experience as a 14-year-old. The studio made him age the character to 15. Even back then such stories were being “corrected” from the truth. The theater company I belonged to premiered a play of his in the 1990s, when he’d […]

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“banned” before I left elementary school

A former schoolmate just found me on Facebook and reminded me that I had had a play of mine “banned” before I left elementary school. It was my attempt to write a Norman Lear-style comedy, and a rehearsal was overheard by a teacher and shut down. I was then called into the principal’s office for […]

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always happy to get a respons

I’m always happy to get a response like this from an executive about a pitch of my controversial, problem child screenplay DRAMA DEPARTMENT: “As someone who identifies as gay myself, Kevin sounds all too familiar. Even still, because of the specificity of his character and his decisions (the ‘messiness’ of his viewpoints and actions) he’s […]

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Ryan O’Neal

“I’m studying . . .” It seems like just yesterday I was leaving the Stanley Theatre in Vancouver having seen the movie of the year. I was one devastated, blubbering eleven-year-old. My older brother Greg was embarrassed to leave the theater with me. If LOVE STORY works at all (and I maintain that it works […]

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Bill McMahon

I just found out that the playwright Bill McMahon died. This is a scene from the last play of his I read, COVER, which was produced as part of the Midtown International Theater Festival starring my friend Karin Collison. When I read it, I told Bill I always tried to learn from him something I […]

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