Author: Richard Willett

Richard Willett is the author of the plays Triptych, Random Harvest, The Flid Show, and Tiny Bubbles, presented off-off-Broadway and across the country. Honors include an Edward Albee Foundation Fellowship and a Tennessee Williams Scholarship. His play 9/10 premiered off-off-Broadway in September 2024 and won four Broadway World Awards including Best Play; Grief at High Tide (first prize, Capital Rep Next Act! New Play Summit) premiered at Vivid Stage in Summit, NJ, in October 2024; and A Terminal Event (Julie Harris Award winner and Woodward/Newman finalist) premiered in 2022 at the Victory Theatre in Burbank, with Stage Raw naming it one of the best L.A. plays that year. Richard is developing a one-woman show about Ingrid Bergman with actress Annemette Andersen and director Henning Hegland, premiering in 2025 in Iceland. He was a finalist last year for the Dramatists Guild National Fellows Program and as an optioned, working screenwriter has twice been in the Academy of Motion Picture Arts and Sciences’ Nicholl Top 50 and a finalist for the Sundance Labs. He was also a finalist for the Cynosure Diversity Screenwriting Awards, the Stage 32 Diverse Voices Springboard, and won the Lonely Seal Film Festival award for the best script with a disabled lead. His novel A Friend of Dorothy’s, set during the height of the AIDS crisis in New York City in the late 1980s, was in June 2025.
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AVA: THE SECRET CONVERSATIONS

Full disclosure: I’ve written a one-woman show about the actress Ingrid Bergman that is currently being workshopped in Denmark prior to further development and production (hopefully soon!) in London and New York. So I go into a show like Elizabeth McGovern’s AVA: THE SECRET CONVERSATIONS at the Geffen Playhouse having attempted to slay a few […]

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Zohra Lampert

I’ve become enamored of an actress named Zohra Lampert. You can make the most interesting discoveries watching black-and-white medical dramas of the early 1960s. In two different episodes of DR. KILDARE she has a spooky real quality that jumps off the screen: in “The Thing Speaks for Itself” as a woman willing to risk death […]

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We currently have no opportunities.

In my determined search through the Dramatists Guild Resource Directory for places to send my two new stage plays, this is now my favorite quote from a theater company: “We currently have no opportunities.” You almost want to fly out there and give them a hug.

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afraid to say

March 26, 2023 I had a consultation with a young executive on Friday about my screenplay DRAMA DEPARTMENT, which I’ve been trying to get right for about 25 years(!) and which has gained startling mileage in the MeToo era. Not only did she say it was the best script she’d read in a long time, […]

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Ten Years…

February 7, 2023 Facebook reminds me it’s been ten years since my brother Greg died. I still vividly remember when I posted this from what seemed then like my “dark, cold hotel room” in Vancouver. I heard Sarah McLachlan’s “Angel” in the hotel bar and lost it. Commiserating, the Irish bartender said, “It’s the saddest […]

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Ted Bessell

January 5, 2023 In my recent binge-watching of THAT GIRL, my admiration has grown for Marlo Thomas’s sidekick Ted Bessell. He was a stage actor and had been a child prodigy on the piano (he performed at Carnegie Hall when he was 12), but he’s best known for the hit sitcom. He died suddenly at […]

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Marlo Thomas turned 85

Marlo Thomas turned 85 this past Monday, and it’s got me watching THAT GIRL again. I’ve said it before, in plays of mine in fact, that the New York of that series was the one I wanted to move to when I was a kid. Watching it now, I realize that I fulfilled so many […]

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Happy Birthday to Julie Andrews

Happy Birthday to Julie Andrews, who is 87 today. I was honored to be her copy editor (twice), and she thanked me in print! (top right). I also wrote a play with this exchange in it: JIMMY: First, Julie Andrews gets passed over for the movie of MY FAIR LADY, then Walt Disney sees her […]

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Earl Graham

I just found out that my former agent Earl Graham (pictured below to the right, next to his star client, Ernest Thompson of ON GOLDEN POND fame) died recently of Covid. Earl fell in love with my first produced play, a one-act called CERTAIN DOUBTS, about a young gay man in love with his straight […]

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HERE COME THE BRIDES

Well, I’m hooked. I discovered that the Roku Channel has every episode of HERE COME THE BRIDES, the show I fell in love with at the age of nine, and great prints, too (the photography by Fred Jackman Jr. is exquisite, especially when mated with that immortal score by Hugo Montenegro — if you remember […]

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